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EditReady Gives Independent Creatives a Real ProRes RAW Workflow

We finally have an affordable way to manage ProRes RAW, and a host of other formats, from our favorite little transcode tool, EditReady.

EditReady has long been one of our favorite transcoding tools for not only its simplicity, but also its speed. If you have to get footage from your camera format to ProRes or DNxHD for editing, it offers a really compelling option with speeds that can be 2x Resolve, 3x Premiere, and 5x Media Encoder.

Because all it does is transcode, that’s where the devs put all their effort, and depending on hard drives and source format, it can scream.

The biggest competition is of course Resolve, since it’s the fastest, and it’s free. But Resolve currently doesn’t support ProRes RAW, and isn’t likely into the future, though we can keep hoping the support will come. This is why the newest update for EditReady, adding full RAW support to a host of camera native RAW formats but best of all ProRes RAW, is huge.

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Author: Charles Haine
This article comes from No Film School and can be read on the original site.

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