With the release of the Panasonic LUMIX GH6 and OM System Olympus OM-1, it has never been a better time to be a Micro Four Thirds shooter.
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The Micro Four Thirds sensor and mount seemed to be a placeholder between Super 16 and APS-C/Super-35 (and higher). At least until camera processors got fast enough to offer competing features.
But as APS-C and Full Frame sensors got better, so did Micro Four Thirds. High-speed and high-resolution come at an affordable cost for the cropped sensor, so it’s no surprise to see it still flourishing with the release of the Panasonic LUMIX GH6 and Olympus OM-1. Blackmagic and Z CAM have also taken full advantage of this cropped sensor format.
On the other hand, finding proper cinema lenses, for the same affordable cost, is a bit difficult. So we here at No Film School want to give you some dedicated cinema lens options for the Micro Four Thirds sensor to get you off that online shopping page and back onto set.
We’ll cover everything from primes to zooms, and even throw in a bit of anamorphic for good measure.
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This article comes from No Film School and can be read on the original site.
