ARRI camera stabilizers have always been the standard that other manufacturers have strived for, or tried to emulate. With the new TRINITY 2 and ARTEMIS 2, the bar just got higher.
The two versions of ARRI’s camera stabilizers have been around for quite some time. The original ARTEMIS, a Steadicam-style stabilizer rig, has been around for almost two decades, while the five-axis TRINITY has only a quarter of that.
Now both have received an upgrade with the TRINITY 2 and ARTEMIS 2, bringing forth new technologies and efficiencies to allow creatives the ability to achieve any compositions they can imagine.
Designed to be more modular, ARRI has updated nearly all facets of these two products. From camera movement and balance options to UI and connectivity, ARRI hopes the new stabilizers will offer more longevity for the same high-paced production environments.
ARRI ARTEMIS 2
As the purely mechanical version, the ARTEMIS 2 may look like a plain Steadicam rig, but there is so much more under the hood as it is the foundation upon which both systems are built.
Author: Yaroslav Altunin
This article comes from No Film School and can be read on the original site.
