Never get tired with this innovative gimbal rig setup for the DJI RS 2.
Let’s face it—filmmaking is hard, hard work. For anyone who’s ever been on a 4:30 a.m. crew call (then stayed until midnight), or pulled an all-nighter editing a short film for a 24-hour film contest, we feel for ya.
But there’s perhaps no job which requires more painful, back-breaking work than running-and-gunning around with a gimbal camera rig setup that isn’t optimized for comfort.
Sure it can be a great workout, but camera rigs are historically very heavy, very cumbersome, and very, very uncomfortable. Which is why, when we see a new, innovative gimbal rig setup that actually looks feasible for an all-day shoot, we have to check it out.
Author: Jourdan Aldredge
This article comes from No Film School and can be read on the original site.
