ARRI makes top-of-the-line lights and cameras, and sometimes having one maker for both can really pay off.
ARRI is one of the few companies that excels at the top end of multiple verticals in film. It makes arguably the best cameras in motion pictures (sorry, Sony, but VENICE 2 isn’t quite an Alexa-killer yet), and it also makes some amazing high-end lights with the Skypanel and Orbiter lineups.
By making both, it has the potential to integrate them in a way no one else can match.
Now, ARRI has launched “Sync Mode” to sync between your camera and lighting to take advantage of that integrated design. By putting your light in “Sync Mode,” it can be controlled by your camera, down to frame-level accuracy. What does this mean for you in practice?
Author: Charles Haine
This article comes from No Film School and can be read on the original site.
