Fujifilm releases the X-H2—which helps us understand that the “s” in the X-H2s really was all about speed.
Camera naming conventions sometimes have a lot of logic, but often have a bit of mystery. We’ve been waiting a long time for the follow-up to the Fuji X-H1 (a camera that was never the hit it should’ve been), and when it finally came earlier this year, it had a new letter added.
The X-H2S launched with a $2,499 price point and some amazing specs, including internal ProRes recording, 6.2K video and 4K 120p internal, and support for both Blackmagic and ProRes RAW, which remains relatively rare. But it had that “s” on the end, which was telling us more was coming.
That “more” is now here with the Fujifilm X-H2, the “prime” release with no modifier, and we get what it’s all about.
Author: Charles Haine
This article comes from No Film School and can be read on the original site.
