How does one find vintage lenses for less money? Fortunately, we found a user guide that provides guidance.
The chief problem with today’s modern cinematic lenses is that they are so darn perfect. They’re designed that way. However, to eliminate distracting fringing, lens flares, and chromatic aberration, lens manufacturers have lost sight of the fact that sometimes those optical issues are considered features and not bugs.
Author: James DeRuvo
This article comes from No Film School and can be read on the original site.