How did a NYC-based production designer find his way onto an indie film?
This post was written by James Bartol.
I got involved with Late Bloomers when director Lisa Steen and writer Anna Greenfield pitched the film to me back in early 2022. In selecting projects to work on, I see a lot of different scripts but I loved Late Bloomers right away, and the pitch deck they presented really caught my eye. Additionally, Francis Ha and Harold and Maude were two references they provided that really spoke to me, as a fan of both films. I knew I could design this film, and have a great time doing it.
Author: Guest Author
This article comes from No Film School and can be read on the original site.
