Generative AI tools are cool, but they will not replace filmmakers yet.
This post is written by Daniela Nedovescu.
The Internet is a fun and overwhelming place to be. Every day there’s a new update about more AI tools coming out and it’s getting hard to keep up. Eight months ago, it seemed like only a handful of people had heard about GPT-3 and Stable Diffusion. Now, we’re already talking about school kids writing essays with ChatGPT and about its upcoming upgrades and rivals. My only wish in middle school was to have a Nokia 3110, so I could beep (couldn’t afford to call) my friends when our favorite song was playing on MTV.
Also, about eight months ago, we were invited by neuroscientist Zach Mainen to take part in an art-science-technology exhibit in Portugal at the Champalimaud Center for the Unknown. The exhibit was highly focused on the potential of using AI in digital therapeutics, by way of neuroscience. Here’s where I’ll stop with the neuro-talk because it can get overwhelming quite fast (I’m talking about myself here).
Author: Guest Author
This article comes from No Film School and can be read on the original site.
