I imagine awful situations. Then, I capitalize on them.
This post was written by Christopher Glatis.
As a filmmaker, that’s kind of my job. I sit in my office and conjure up all sorts of crazy and unique ideas for my projects: apocalyptic scenarios and serial killers. Anything can trigger these insights: a conversation, a news article, an interaction with nature, something that pops up in my meditation, or just some warped thought.
My imagination is a real strength of mine, and I believe all artists have an incredibly potent imagination muscle.
The key is how you use it.
Author: Guest Author
This article comes from No Film School and can be read on the original site.
