A look behind-the-scenes of how Oppenheimer’s production blows past any previous IMAX film.
Look, it’s certainly no surprise that Christopher Nolan chose to shoot his latest (and perhaps his most ambitious) film in IMAX format. He’s shot IMAX for many of his films over the years (like Dunkirk for example). However, Nolan and his team have pulled out all of the stops for Oppenheimer.
We’ve already heard about how they had to invent a new IMAX film for Oppenheimer, as well as prints reportedly being 11 miles long and weighing over 600 pounds. Yet, these facts alone can not fully prepare audiences for what Nolan has up his sleeves for this epic biopic.
Let’s look behind the scenes of Oppenheimer to explore how Nolan, along with his cinematographer Hoyte Van Hoytema, has set Oppenheimer up to be his most ambitious IMAX format project yet.
Author: Jourdan Aldredge
This article comes from No Film School and can be read on the original site.
