It feels like everyone has a family member or a friend who says things a little differently than they’re supposed to. Maybe using one word when they mean another.
Well, we have a word for that in the world of literary devices. We call it a malapropism, which is like the comedic slip-up that often leaves people laughing, even if unintentionally.
In this article, we’ll delve into the definition of malapropism, explore its origins, and provide some entertaining examples from both classic literature and pop culture.
Let’s get started.
đź’ˇBright Ideađź’ˇ: What Are Malapropisms?
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Malapropism DefinitionÂ
Malapropism is a form of language error that occurs when a person uses a word that sounds similar to the intended word but has a completely different meaning.
Essentially, it’s a humorous substitution of one word for another, often with absurd or nonsensical results. This linguistic faux pas can be accidental or intentional, making it a versatile tool in comedy and wordplay.
Where Do Malapropisms Come From?
The term “malapropism” owes its existence to the aforementioned character Mrs. Malaprop, a comic figure in Sheridan’s 1775 play The Rivals. Mrs. Malaprop frequently misuses words, creating humor through her unintentional word substitutions.
The name “Malaprop” itself is a play on the French phrase “mal Ă propos,” meaning “inappropriate” or “inopportune,” which perfectly encapsulates her habit of using the wrong words at the wrong times.
Here are some examples of Mrs. Malaprop’s quotes that created the word:
- “He is the very pineapple of politeness!” Pineapple?! (instead of pinnacle)
- “She’s as headstrong as an allegory on the banks of the Nile.” (instead of alligator)
Why do Filmmakers Use Malapropisms?Â
Whether you’re writing Archie Bunker or Michael Scott, malapropisms can say a lot about the characters in your story.
They are not just linguistic blunders; they serve a purpose in literature, comedy, and even politics.
- Comedy: Malapropisms are a reliable source of humor in both written and spoken language. They often lead to witty wordplay and absurd situations that tickle the funny bone.
- Characterization: In literature and drama, characters who use malapropisms are often portrayed as eccentric or comically misguided. This linguistic device helps create memorable characters and adds depth to their personalities.
- Political Satire: Malapropisms can be unintentional, as seen in the real world when politicians make public speaking errors. These verbal missteps often become the subject of satire and political commentary.
- Cultural References: Malapropisms have become ingrained in pop culture, with many people quoting or referencing famous malapropisms from movies, TV shows, and literature.
Examples of Malapropisms
Malapropisms are frequently used in film and TV to create comedic moments or highlight a character’s lack of intelligence or education.
Here are some examples of malapropisms in film and TV:
- Archie Bunker in All in the Family: Archie Bunker was known for his frequent malapropisms. For example, he once said, “It’s a well-known fact that capital punishment is a detergent to crime!” instead of “deterrent.”
- Yogi Berra: The famous baseball player Yogi Berra was known for his unintentional malapropisms, such as “It’s dĂ©jĂ vu all over again” and “When you come to a fork in the road, take it.”
- Friends: The character Joey Tribbiani often uses malapropisms. One of his famous lines is, “It’s not that common, it doesn’t happen to every guy, and it is a big deal!” when trying to cover up an embarrassing situation.
- The Office: Michael Scott, the bumbling boss, frequently uses malapropisms. For instance, he says, “Would I rather be feared or loved? Easy. Both. I want people to be afraid of how much they love me.”
Malapropisms are a common comedic device in film and TV, and they can add humor and depth to characters by highlighting their quirks and flaws in their use of language.
Whether they arise from genuine linguistic confusion or are employed intentionally for comedic effect, malapropisms continue to entertain and amuse audiences across various forms of media.
Add them to your work and see what you glean!
Let me know what you think in the comments.
Author: Jason Hellerman
This article comes from No Film School and can be read on the original site.