I’ll never forget how powerful the opening of the TV show Lost was for me. We were super close on an eye as it opens, and that wound up being the defining image for the entire series.
We call that shot an extreme close-up (ECU), and we’re going to go over it today.
In film and television, the ECU is a versatile tool used to emphasize emotions, reveal hidden details, and heighten tension.
Let’s dive in.
Extreme Close-Up Definition
The extreme close-up (ECU) is a cinematic technique that involves framing a subject very closely, often focusing on a specific object or body part, such as an eye, a mouth, or a hand.
By magnifying the subject to such a degree, the ECU can create a sense of intimacy, intensity, and even unease in the viewer.
Why Use an Extreme Close-Up?
The extreme close-up is a powerful tool that can be used to create a wide range of effects in film and television.
When used effectively, it can draw the viewer into the story, heighten emotions, and reveal hidden details.
Extreme close-ups can serve several purposes in film and television:
- Highlighting Detail: ECUs can draw attention to specific details that might otherwise go unnoticed. This could be a subtle facial expression, a drop of sweat, or a tiny object.
- Conveying Emotion: ECUs can be incredibly effective at conveying emotions. By focusing on a character’s eyes or mouth, for instance, the ECU can reveal subtle nuances of fear, joy, or sadness.
- Creating Tension: ECUs can be used to create tension and suspense. By focusing on a threatening object or a character’s reaction to danger, the ECU can heighten the sense of anticipation and unease.
- Establishing Setting or Theme: ECUs can be used to establish a setting or a theme. By focusing on a particular object or detail, the ECU can provide clues about the environment or the underlying message of the scene.
Extreme Close-Up Examples
I would venture a guess and say most movies and TV shows have ECU shots, but there are a few famous ones we should go over.
Some notable examples of effective extreme close-ups in film and television include:
- The eye of Jack in Lost.
- The cutting between perspectives at the standoff in The Good, the Bad, and the Ugly.
- The cold zoom of the eye of of HAL 9000 in 2001: A Space Odyssey.
- The clenched fist of the Arthur meme.
It is a testament to the versatility of this technique that the ECU continues to be used to great effect in both classic and contemporary films and television shows.
It’s a fun shot to have in your bag, and one you’ll bring out again and again for different situations.
Let me know your favorite extreme close-up shot in the comments.
Author: Jason Hellerman
This article comes from No Film School and can be read on the original site.