Looking to gear up for your next film or video project? There’s a lot to consider. Not only do you need to find (or write) the best script, cast the perfect leads, and pick the right camera for your projects, but you’ll also need to make the most important decision of them all—which lenses will be right for you.
As filmmakers, cinematographers, and video professionals across the globe wrestle with these choices, one candidate worth considering is actually offering a pretty sweet deal to make the selection quite a bit easier.
Now through November 30th this year filmmakers, DPs, and shooters of all types can save 20% off all SIGMA Cine prime lenses and up to 32% off build-your-own bundles. There’s also 0% finance options for qualified buyers. Here are some more details and inspirational quotes from some of the best DPs in the game.
Which SIGMA Cine Prime Lenses are Right for You?
SIGMA’s line of professional-grade Cine lenses offers filmmakers and video pros of all types a full range of focal lengths, as well as several formats, styles, and mounts. If you’re curious to explore the entire SIGMA collection to make it easier to find the premium lens that you might need, check out this full SIGMA Cine Lens Buyer’s Guide here.
Why Use SIGMA Cine Primes?
Speaking with the talented filmmakers and cinematographers behind some of the best films of the year, it becomes obvious why SIGMA Cine prime lenses are one of the best options for DPs of projects of all types.
Here’s a quote from Bradford Lipson, the Director of Photography from Prom Dates:
“…the regular SIGMA Cine primes flare beautifully as well. I think both the Classic and the Cine primes flares were just beautifully circular. And, bokeh, too, it’s the same thing. They were just spot-on, you couldn’t see angles from the iris at all. They’re just really smooth, so I found them to be very capable and very pleasing.” – Prom Dates Director of Photography Bradford Lipson.
As well as a quote from Judd Overton, the director of photography on Totally Killer:
“When we looked at the script, we knew color tone was going to be really important. Because of the time travel pace, we had to transport the audience back and forth between times instantly. We wanted to ground them without using too much gimmick. The SIGMA Full-Frame High Speed prime lenses, especially for the contemporary scenes, provided a clean, true image that stood out.” – Judd Overton, Director of Photography for Totally Killer.
As well as some insights into why Overton was interested in SIGMA gear and Cine Primes:
“I’m keen to try out more SIGMA gear, especially the cinematic zoom lenses, for their versatility in different filmmaking environments on future projects.” – Judd Overton, Director of Photography for Totally Killer.
SIGMA CINE Instant Savings
If you’d like to review some of the SIGMA CINE Primes that are available for sale, check out the instant savings coming to SIGMA CINE for the first time here.
Interested filmmakers and DPs will be able to save between 20 and 32% on all prime lenses & kits through November 30th.
Author: Sponsored Content
This article comes from No Film School and can be read on the original site.
