In this episode of No Film School, GG Hawkins speaks with the filmmakers behind two impactful films, Hazard and Studio One Forever. Writer-director Eddie Mensore…
It’s 2025 and it’s high time we all start bringing some more main character energy to life. That seems to be what’s working for all…
To the detriment of our favorite trends and sick memes, the long-rumored TikTok ban is on the horizon. The Supreme Court heard arguments today on…
Awards shows are some of my favorite things about Hollywood. They help me mark all the things I watch during the year, and I love…
Announced at CES 2025 in Las Vegas this week, the HDMI Forum has put the world on notice that HDMI 2.1 hasn’t been enough. No,…
There’s something elegant and graceful about black-and-white movies. They harken back to our first films, and their stark contrasts are great for portraying different aspects…
One of my favorite movies of the year was hard to catch in theaters. It was Juror #2, Clint Eastwood’s supposed final movie and an…
As technology in the film and video industry advances, everything always seems to get tinier. Cameras have gotten smaller, lighting gear (for the most part)…
I’m still buzzing from seeing The Brutalist in IMAX. It was almost a religious experience. Now, part of my attachment to the movie could be…
Did any movie’s sound mixing blow you away this year? The Cinema Audio Society has revealed nominations for Outstanding Achievements in Sound Mixing. The 61st…
