My favorite part of watching films and TV shows is picking out the hidden things the filmmakers have layered in for us to pick up…
Creature features came to me when I was really young. The Blob was shot near my home in Pennsylvania, I had a Wolfman costume, and…
by Terre Weisman After 30 years of churning out dozens of unmade film scripts, spec and original sitcoms along with directing two of my own…
Here at No Film School, we try our best to report on how AI is continuing to change the creative landscape not just for filmmakers…
Maura Corey is the picture editor of Gen V, a satire about young adult superheroes. Walter Schulz is the visual effects supervisor behind The Curse,…
Written by Ralph Jean-Pierre: Tokyo Vice editor of episodes 3, 4, 9, and the finale Around the time I was wrapping up the final season…
As filmmakers, there’s nothing more we love to explore than digitally altered aesthetic flourishes. Does Superman have a mustache? Is Sonic goofy? Does Wolverine drop…
It’s crazy to think about how far AI technology has advanced in the past year. Looking at generative AI video specifically, it was only one…
Written by Tom Shoval June Zero was an unexpected cinematic adventure for me. One day at the end of 2018, I got a call from…
Way back in 1999 I remember clearly telling a friend “you know, eventually video cameras will just be a credit card with a screen on…
