Getting the opportunity to work on season two of Silo was a dream come true for me because many of the show’s references were deeply…
I’ve been making it a priority to just seek out the world of different cinematographers, to see how they handle different tones and working with…
Sometimes, when you have a clear and distinct vision for something, you’re driven to see the whole thing through on every level. In filmmaking, that…
A great movie ending can send you walking out into the theater lobby with so much energy and excitement that it can be contagious. One…
While audio might be the biggest (and buzziest) part of filmmaking and video production, we often forget that it’s still very much a huge industry…
Film is a visual medium, but if you truly want to immerse your audience in the experience on screen, you want to have high-quality sound.…
Quentin Tarantino is one of our great modern auteurs. It deeply saddens us at No Film School that there may only be one more movie…
While it might have felt like this year was all about AI and not much else, 2024 was one of the best years for cameras…
Fans of Jane Schoenbrun’s vibey, tragic Sundance hit I Saw the TV Glow are in for a treat. Thanks to Deadline’s Read the Screenplay series,…
Editor Marco Costa has become director Luca Guadagnino‘s right-hand man lately, working on several of his projects starting with 2020’s We Are Who We Are,…
