In 2019, I wrapped production on a web series I directed that ended up premiering at Dances With Films. Getting it off the ground, produced,…
One of my favorite lights in my kit is the Aputure amaran 60D, a small moonolight that offers nice output in a compact package that…
Jonathan Wales is the co-supervising sound editor, re-recording mixer, and scoring mixer of the new Netflix show The Fall of the House of Usher. He’s…
Killers of the Flower Moon is traditional big-budget filmmaking at its finest. It is the type of film that feels almost rare these day, and…
This post was written by Tyler MacIntyre. Horror fans are simultaneously the most supportive and discerning audience you’ll ever encounter. On one hand, they’re always…
While Aputure has been an industry leader in the budget LED lighting space, that hasn’t stopped other manufactures from putting out some amazing products to…
Damian Del Borrello is the supervising sound editor of Season 2 of Taika Waititi’s hit HBO series, Our Flag Means Death. Del Borrello has worked…
A few weeks ago, a new trailer caught my eye. It was for a spy comedy thriller called Argylle, and it looked like it was…
I first started to learn how do edit video back in 2005. For those keeping track, that was during the Final Cut Pro 5 days.…
Film and visual media have always borrowed from literary devices and the vast tapestry of the world around us to tell evocative stories. One such…
