At first sight, Panasonic’s latest lens, the Lumix G 25mm f/1.7 Asph, may look redundant before it’s even hit the shops. After all, it’s not…
Behind the standard 50mm, the 35mm lens is probably the second most common fixed focal length for full-frame camera users. Just about every camera brand…
Samyang 21mm f/1.4 ED AS UMC CS Review – Introduction The growing number of mirrorless models on the market has seen a gradual rise in the…
Over the past few years, mirrorless compact system cameras have dramatically changed the landscape in the photographic equipment market. The likes of Fujifilm, Olympus, Panasonic…
Sigma 20mm f/1.4 DG HSM | A Review – Introduction There has been a surge of new wideangle lenses in the past 12 months, with…
This is the second of the new Zeiss Milvus lenses we have tested recently, the first being the 50mm f/1.4. If these two lenses are…
Fujinon XF 35mm f/2 R WR Review – Introduction Fujifilm has always been open about its plans for future lenses and the development of new…
We have it in our heads that 50mm is the standard focal length for 35mm format, and it has been for years. The rule is…
Over the past few years Nikon’s lens engineers have been a little preoccupied with their full-frame FX-format lenses, with only the odd update to existing…
Although portraits are often shot on lenses of between 50-85mm, longer lenses from 100-135mm are widely considered to offer a classic portrait focal-length range. With…
